Tag: iPad

  • Trade Show Booth Presenter FAQ

    Trade Show Booth Presenter FAQ

    Free iPads, prize wheels, and branded t-shirts can’t compete with a professional in-booth presenter in their ability to build a crowd, hold their attention, deliver your company’s marketing message, and smoothly transitioning that crowd to the sales team to close the deal.

    And people never think of booking one!

    We think that’s because most people don’t even know booth presenters are a thing. Seriously.

    Most exhibit managers make the assumption that Company X is lucky to have a sales person who is such a “natural” at “this stuff.”

    Turns out “this stuff” is the single most important factor between your company’s success or failure at the next show.

    That’s why we wanted to make this list of common questions or comments about what a presenter is, what they do, how they do it, and why you should consider booking one.


    Why Would You Use A Presenter?

    More. Business.

    It’s that simple.

    Expert presenters are incredibly good at delivering your message to 10x or 15x the number of people that salespeople can do in a one to one, or one to two dynamic. A do it 2x an hour for hours at a time. They deliver the last presentation with the same energy and gusto as they had at the first presentation.

    How? They love the work. Being in front of a crowd is like a shot of espresso every time.

    What, Exactly, Is A Trade Show Presenter?

    Someone highly skilled at getting attention, building a crowd, and holding their interest while they deliver an interesting experience that entertains as well as educates the audience.

    They can be found standing in a booth talking with a crowd of people gathered around or speaking in a theater-style environment on a stage with a slideshow discussing the benefits & features of the company’s most recent offerings.

    And they often do it two times an hour, every hour that the exhibit floor is open.

    When done well, a trade show presenter is a seamless part of a company’s marketing strategy, and appears as though they are an employee of the company they’re representing.

    This is rarely the case. They are most often an independent contractor or “mascot for hire” who has a long list of clients that they work with hopping from one trade show to the next representing a wide array of companies in many industries.

    How Do Presenters Get Into This?

    Most have a background in performance or public speaking of some sort.

    They are used to being in front of a crowd, and are comfortable being the focus of attention for hundreds of people at a time.

    They might already be a public speaker, corporate trainer, stage actor, celebrity* or on-stage personality of some sort who recognized their talents could be put to work helping companies communicate their marketing messages more effectively.

    *We’ve seen Jack Hannah at a trade show. He had a pen with 3 baby cheetahs, and they were adorable.

    What Does A Presentation Look Like?

    Whether the presenter is a juggler, world class yo-yo expert, magician, or comedian, their presentations all follow the same fundamental pattern.

    STEP 1: Build the audience.
    A presenter needs people to present to, right? So the presenter will connect with one or two people who are walking past with an interesting question or low-pressure conversation starter.

    Once two people stop, it’s easier to get two more. With four gathered, other attendees start to wonder “what’s going on over there?” and the presenter will invite them to gather closer to watch what’s about to happen.

    Soon, there’s a crowd of 15 or 20 people, and now the presentation can begin.

    STEP 2: Keep the audience.
    Now the “show” begins. The presenter smoothly transitions from “audience gathering” mode into “marketing” mode.

    When done right, this is a tightly scripted 10 or 12 minute presentation that will wow the attendees, make them laugh, and leave them “where did they find this guy?!”

    Key marketing messages are woven into the presentation without being too obvious or “salesy” about it. Attendees will notice & remember the messaging without it being distracting or heavy handed.

    There’s a strategic balance between messaging and entertainment that the presenter is a master at using to prequalify leads by explaining who this product or service is best suited to help.

    STEP 3: Move the audience.
    At the conclusion of the presentation, the attendees who are an ideal fit for the company is directed to the sales team who is ready to schedule follow up calls, scan badges, or whatever the proper “next step” in the sales process is.

    The rest are thanked for their time and invited to pick up their free giveaway, or to grab some kind of promotional material on their way out.

    This is all planned in advance and orchestrated between the presenter and the exhibit manager. When done right it’s a well-oiled machine that works 2x an hour all day long!

    Who Uses Presenters?

    The best.

    DHL, the United States Postal Service, and thousands of other companies who recognize they need help bridging the gap between attendees and the messages they want to deliver.

    They don’t “hope” people will stop by. They adopt a proactive strategy for connecting with attendees who they can help. A passive approach will lose every time.

    They usually have a booth that’s big enough to accommodate large attendee flow. A 10×10 booth simply isn’t large enough to handle the kinds of crowds that an effective presenter can generate for their clients.

    Service companies are an ideal fit for presenters. Without a product to demo, it can be difficult to generate interest with people who are walking by. A presenter, however, can be the human touch for the service you can’t see.

    What Kind Of Value Is The Presenter Creating?

    Start with the lifetime value of a new customer or client. Multiply that by the number of clients your company acquired at the last trade show.

    Now multiply that number by 3.

    That is the value that a presenter is creating for your company.

    What Does A Presenter Cost?

    You can expect to book an effective presenter for anywhere between $2,000 to $10,000 per day.

    Presenters are essentially selling dates on their calendar, so it’s not really a service they’re selling by the hour. Also, they spend the weeks & months leading up to the show on lots of conference calls, writing scripts, designing custom presentation materials, and more. That time adds up.

    Keep in mind, they work for themselves. They’re paying taxes, and all their expenses come straight out of their pocket.

    While at first blush it might look like they’re charging too much, but weighed against the value the create for their clients, it’s a steal.

    Can’t We Get Carl From Sales To Do This? He’s Funny.

    This might be the most common question that we get in one form or another.

    We get it. It makes sense to think your sales team is the best option for your trade show.

    They’re not. Here’s why.

    Think about how much money the company is investing in exhibiting at this trade show. 10,000’s of thousands of dollars in securing the booth space, the booth decoration, print materials, flying out the crew, and all the other million details that have to be managed.

    That’s all on the line, and the three days of the show have to be worth it.

    With all that on the line, nothing can be left up to chance.

    Let’s run the numbers.

    That team might, at most, do this 5x a year. A professional presenter? They are, easily, doing one show a week. That’s 52x a year.

    A presenter has 10x more experience than the sales team does, and that difference gets bigger every year.

    Your sales team won’t have the same presentation skills, confidence in front of an audience, familiarity with managing all the technology involved in a live presentation, calm under pressure when something (inevitably) goes wrong, and on down the list it goes.

    Generating interest, gathering a crowd, entertaining them with just the right blend of humor and information delivery is not an easy skill to learn. It takes years of hard work and practice which your sales team will not have.

    We can’t tell you how many times we’ve seen a salesperson spiral out of control due to tech failure, poor speaking skills, nerves, etc. and it can all be avoided by booking a professional presenter.

    But the most convincing reason not to use the sales team? That’s not where they’re going to bring the company the most value.

    The presenter starts the momentum, and the sales team will be right there to turn that into a meaningful 1:1 relationship with a high value prospect.

    Also, the team can divide and conquer while the presenter continues to generate interest. They can listen to the keynote speakers who are experts in their industry.

    (The presenter wouldn’t get anything out of listening to that speech; they’re not in that industry!)

    But, a salesperson who is in the industry, might hear something that they can bring back to the team and make a huge impact on the company in the long run. If they were trapped in the booth, they wouldn’t be able to do that.

    In short, the sales team is best served by doing everything but the presentation.

    Takeaway

    When you’re competing against the best of the best for the same opportunities, and there’s so much invested in these few days, it becomes more and more important for you to leave nothing up to chance, and team up with the best.

  • Engagement Painting Session 2

    Engagement Painting Session 2

    This is my second session painting my engagement portraits.

    (Notice how I’m repping my Urbit shirt.)

  • Engagement Painting Session 1

    Engagement Painting Session 1

    This is a photo of me with my fiancé. I’m painting it for our engagement announcement postcards.

    Instead of painting it in secret, I figured I would share the process with the world.

    Feel free to watch at 2x speed to see it come together even faster!

  • Digital Painting Created On An iPad: A Walk Through

    Digital Painting Created On An iPad: A Walk Through

    This is a timelapse video of a digital portrait I painted, and eventually sold as a #cryptoprint on MakersPlace.

    Even though you can watch every single change made (in fast forward) it can be difficult to understand what’s happening, and why I’m doing it that way.

    I’ll explain.

    But first, give it a watch 👇


    1️⃣ Layout

    This is the first part of the video up to second 20 or so. It’s the part that has the least going on, most difficult to see, but it’s the most important.

    This is the part of the process that sets the tone for everything that comes later. If you do this step right, you have fewer problems rear their ugly heads.

    So What’s Happening?

    I’m working from a photo reference shared by the model who specifically intended it to be used as inspiration for art.

    (I recommend that source imagery, or even better something that you take yourself. Don’t just randomly search for something and then use it.)

    The point is that I have a photo to work with. The image is already defined. The ratios are right there in the source, so all I have to do is put them in the right place within the boundaries of the painting’s edge.

    Easier said than done!

    When you first start out making portraits it’s nearly impossible to do this right. Eventually you get a feel for “the right corner of the eye should go. . . there! And the outer turn of the nostril should go. . . . there!”

    The is why learning to draw is a foundational skill for learning how to paint. You need to be able to get the structure correct first unless you want to undo everything you make at the beginning.

    At the end of this stage I have a line drawing of the subject that already looks like them. Time to move to the next phase.

    2️⃣Blocking In Color

    Now that I have a map of where everything should go, time to put color in the right places.

    Do you start with the subject first and then finish the background? Or start with the background and then the subject? A bit of both, going back and forth?

    I like starting with the background and clothing first. This helps me get the general color “feel” of the painting moving in the right direction so the skin tones are more likely to land in the right place.

    Otherwise you can paint the subject first, paint in the background, and suddenly the subject looks wrong. It’s because all the colors influence each other and one color that looks great next to one color can look awful next to another.

    Color theory is weird. 🎨

    But starting with the background is a quick and easy way to get a lot of coverage of the space, and gives you a foundation for the subject.

    I like blocking in shapes of color first for skin with three colors: base, darks, and lights.

    I look for the larger shapes first, and put as many in as I can before looking to add finer detail. If I start with the fine details first I get bogged down and it takes forever with zero progress.

    Broad strokes 👉 medium 👉 fine

    3️⃣Details

    Now that the painting is covered with paint, it’s time to work with the details.

    Even though the broad strokes fill in a lot, this stage still takes twice as long as the first two combined.

    This stage is where you add in local variations of color. This is often means adding red to the nose and cheeks where the blood vessels are close to the surface.

    The eyes are especially important to get right. If you miss the mark with them the whole painting is out of whack.

    The nose is tough to get right, too. Especially from this angle. The best way to think about it is not as a feature, but as a group of unique shapes that fit together like a puzzle. This helps you actually see it as it is instead of trying to make it look like the idea of a nose that you unconsciously have stored in your Platonic catalog of “here’s what human features look like.”

    The dark hair behind the nose helps to “push” the nose forward in space and the hair functions as a sort of outline to help define the contour of her nose.

    And so it goes.

    Lay in more details, work on their placement, and blend them together. But don’t blend too much! That can make your image look overworked, and a bad blend job will kill your piece.

    When it comes to digital painting I find blending to be the most difficult part. Some of the tools will only push paint around instead of using the surface to mix them together like you can with traditional medium. This is the one place where I wish there were more tactile feedback in the process.

    But I digress. Let’s look at how blending fits into the picture (pun intended).

    Images are mostly defined by two things:

    1. The placement of details and
    2. The transitions between them

    A hard edge is a sharp transition. A round surface is a smooth transition between two details.

    So the amount that you blend two colors or values together tells your brain what the surface is supposed to look like. Hard line? Clearly defined edge. Transitions? Must be a rounded surface.

    Good General Rule: If you have a sharp transition on one side of a shape, you’ll likely have a smooth transition on the other.

    And on this process goes until it’s pretty much where I want it.

    4️⃣Finishing Touches

    I *love* adding bright color outline accents to my work. If I had to tell you where it comes from I supposed I’d say comic book art influence as a kid, but I really couldn’t tell you for sure.

    All I know is I love doing it.

    Most of the time I’ll choose an electric version of whatever color is on the opposite side of the color wheel from the dominant hue of the subject.

    In this case she is very yellow. Right across the wheel is purple. Easy.

    But it’s not a simple outline. There are some fun subtleties to it.

    I like to think of it as a heavy light that surrounds her. It gathers near the bottom of the contours due to gravity’s influence. It also will trace the inner contours of the subject to clearly show what is in front of the others.

    And in only a few spots you will see it casting color onto her skin.

    These tiny details help make the outline feel like it “fits” in this environment. It’s actually interacting with the subject. It’s behaving like a real thing in space more than a flat application of a single width comic strip outline.

    Getting this vibe right is often the part of the painting that I have the most fun with.

    And now that the electric outline is in place I have spent enough time looking away from the interior of the subject that I can notice that the subject is a bit flat. She lacks volume.

    The real finishing touches will be the final highlights that just touch her skin and give it the glow that tells you there’s light somewhere in this dark world.

    #Finished

    Close up detail of a digital portrait painting created by cryptoartist Jonathan Pritchard.
    Close up detail of the painting.